Archive for July, 2012

Kublakai Releases His Newest Video, TOP 5

Thursday, July 26th, 2012

In hip-hop, many things can be debated. What is the difference between hip-hop vs. Rap? What is the best direction for the future of the culture? How did it begin? Who was the real father of hip-hop? But there is one subject that tends to get tempers flaring and emotions higher than any other… Who are the top 5 best rappers to ever pick up the mic?

Today, dynamic, Northwest born MC, Kublakai, fresh off his tour with half of the legendary Binary Star rapper One Be Lo, poses that question to you with his new video, Top 5. In it, Kublakai waxes poetic about his favorite moments learning of this culture we all so deeply love and debate over.

The video, directed by Zac McConnell (director for other Northwest up-and-comers, Sol (2020) & Grynch (Perspective)) has a tone similar to the song; nostalgic and personal. There is a dreamlike quality to McConnell’s past work and this is no different. Well framed with lots of up-close and personal shots of Kublakai while he shares his stories and seemingly never-ending hip-hop collection.

This is Kublakai’s FOURTH video (previous videos: The Basics 2, One of a Kind & Rock that $#!+) from his sophomore album, The Basics 2 released independently. It is available via his bandcamp page and on Itunes. Kublakai tours consistently around the country and you can find show dates on his website peepgame.wordpress.com. He is currently working on new material and is throwing his first ever festival, Noisemaker Fest, which will take place at Nectar Lounge in Seattle, Wa on Saturday, September 8th.

Be sure to catch Kublakai Live on stage in your city after checking out his new video.

Who’s in your Top 5?

For Booking and all other inquiries contact: Kublakaihiphop@gmail.com

At Skaggs Place Studio In Nashville, Ricky Skaggs Depends On Neumann KH 120 Monitors To ‘Tell The Truth’

Tuesday, July 24th, 2012

Once again, multiple GRAMMY winner and Christian artist Ricky Skaggs has been hard at work with “the boys” — his longtime band Kentucky Thunder, which have been playing bluegrass music alongside him for over 15 years. Each time Skaggs and his band enter the studio — usually at his own “Skaggs Place Studio” — the resulting music pays homage to the early trailblazers of bluegrass music, while forging entirely new paths within the seemingly timeless genre.

As an artist, Skaggs is wholly committed to authenticity and detail in his recordings. He is an avid collector of vintage microphones and esoteric gear, and constantly in pursuit of the latest sonic building blocks that will help make his recordings stand the test of time. The latest addition to his studio? The new Neumann KH 120 studio monitors. We chatted with Ricky to learn more about his recent projects, and why it’s important to have a loudspeaker that tells the truth…..

What have you been up to lately?
“Me and the boys [Kentucky Thunder] have gotten together and will be putting out a bluegrass record — the first one since Honoring the Fathers, which we recorded several years ago. We’ve cut two days of tracks, about six songs on which we are now working on overdubs. In the coming weeks, we will be doing more tracks, as well as singing and overdubs. For this record, which will have a lot of variety, I’ve brought in Gordon Kennedy [producer] for moral support. I really wanted him involved because I didn’t want it to be just another bluegrass record. Gordon is able to bring some input and creativity that I wouldn’t necessarily think to bring to the project. Beyond this, I’ve been working on a live CD of Bruce Hornsby and myself. Last time we toured, we did a lot of live recordings on the road and we’ve been going through those live shows and hope to get a record out soon.”

Tell us about your first experiences with the Neumann KH 120 monitors

“When I found out that Neumann was doing monitors, I knew they wouldn’t do anything unless it was excellent — because they have never done anything outside of excellence. If it was Neumann, it was going to be great. I first heard the KH 120s out at Winter NAMM and I was just blown away. I really loved what I was hearing. There is something in the midrange that highlights the acoustic instruments and strings, and the highs are not too bright or harsh. Finally, I just can’t believe how small they are and how great they sound.”

How about the low end?

“Typically it is a little bit harder to define the low end, but everything translates great through the KH 120s. In general, I was really impressed and surprised with their performance given their small size, and could not believe that that such clarity in the low end could be achieved without a subwoofer. The low end of my mixes sound tighter now — and in bluegrass, this is important on instruments like the upright bass and the acoustic guitar. We know that when we get to the mastering facility, that the entire low end will be nice and tight.

Why is the crossover important and how does the KH 120 perform in this regard?
“For any instrument that occupies the midrange, you’ve got to have crossovers that are extremely quick, smooth and transparent. The crossover on the Neumanns is very smooth and you can really hear this on acoustic guitars and mandolins. This is exactly what I hear from the KH 120s, and highlights the thing that I love most about them: the midrange. My instruments sound like I know they should.”

Why have the KH 120s earned a place at Skaggs Place Studio?

“I want the safety net of having a great monitor system — it takes the guesswork out of recording and mixing, and you can be more confident in what you are putting down to tape. I know the low end is there, as well as the mids and the highs. Nothing is falsified and it is the real thing. I don’t like cutting any corners — especially in the recording studio. Once you cut something and put it out, it is out there forever. As an artist, I want to make sure that the recording represented the best that I could be at that moment in time.”

You are no stranger to Neumann. Tell us about your collection of Neumann microphones

“My history with Neumann goes back a long way, and to me, the company’s microphones represent the gold standard. I have a U 47 that was once used by folks like Dolly Parton, George Jones and Johnny Cash. I also have two U 69s, which we use on everything including the piano on the recent Bruce Hornsby recording. I bought some KM 64s years ago that had been owned by a traveling gospel band, The Happy Goodman Family. My Neumann KM 66, an early version of the KM 86, is our all-time favorite guitar mic. I also use and appreciate the newer Neumann microphone models such as the TLM 102, TLM 103 and of course the M 149 and U 87.”

Email: jeff@hummingbirdmedia.com
Website: http://www.sennheiserusa.com/

Photo captions:
1. Ricky Skaggs, pictured alongside the Neumann KH 120 monitor
2. The Neumann KH 120 monitors are the latest edition to Nashville’s Skaggs Place Studio

Don’t Say It’s Tony Adamo And The Headhunters

Monday, July 23rd, 2012

Mike Clark, legendary drummer and former member of Herbie Hancock’s Headhunters band, can now add another name to his illustrious music career as the Funk Wizard of Manhattan. In addition to producing his new discovery, singer/nu-hip spoken word artist Tony Adamo’s CD, Clark brought in four members of the Headhunters - Bill Summers, percussion; Rob Dixon, horns; Richie Goods, Bass; Derrick Gardner, trumpet - to play and finish out the recording. Final mix day on Tony Adamo’s new CD is in late July 2012. Mike Clark producing Tim Ouimette mixing and pushing buttons. It is a really new concept–Oakland Funk and New York throw-down meets vocal/hip spoken word.

Indie-Rock Outfit, Automatik Eden Make Strong Headway In LA’s Competitive Rock Music Scene…And Beyond!

Monday, July 23rd, 2012

We have all been exposed to well-known rock artists that are talented in music and are also endowed with other gifts. It seems that as time goes by — and technology advances — artists are expanding their horizons. Composer David Crocco (vocals, guitar, bass, drums) and fellow singer, songwriter and guitarist Cela Scott of Automatik Eden are prime examples.

David’s post-production engineering skills have been in demand for a while now, having worked with a plethora of contemporary music icons, in various genres. Performers include everyone from Dr. Dre and Busta Rhymes to Nickelback and System Of A Down…not an easy feat.

Cela also has an impressive history. As a tween, she joined the prestigious Nashville Children’s Choir and toured the US for several years. The choir made TV appearances and were featured on recordings with singers such as Reba McIntyre.

Later, Cela auditioned for the impressive University of Southern California’s BFA Acting program and landed a spot in the conservatory school. She was chosen to participate in master classes in Shakespeare with guest instructors that included Alfred Molina (Spiderman 2, The Da Vinci Code, Raiders of the Lost Ark).

After graduating with a Bachelor’s Degree in Theatre, she began performing in independent films and plays in Los Angeles and was nominated for Best Supporting Actress for the short Inseparable Hearts. David and Cela, who met years earlier in Nashville, decided to join talents and form Automatik Eden.

While listening to songs such as “Citadel” and “Chimera,” on their self-titled EP, one can hear the refrains of a little Pretenders with a dash of the White Stripes, The Kills and Garbage. But make no mistake, their music is distinctly their own.

The EP was produced by Herwig Maurer (Hypernova, Simone White and sound designer for King of the Hill, Hostel, and Apocalypto) and mixed by Sean Beavan (Guns N’ Roses, No Doubt, Nine Inch Nails, System of a Down).

In their recent July, 2012 issue, the noted LA based music magazine, Music Connection paid tribute to the act, stating, “What the pair truly excel at is…atmospheric fare such as “Citadel,” whose edgy dynamics and vocals by Crocco are just a preview to “Chimera,” on which Scott shows a striking voice.” MC goes on by saying, “In the dreamy, eerie outing, mixed by Sean Beavan (NIN), you can practically hear the song in a David Fincher soundtrack. AE seem to have the potential to exceed their influences.” Not bad!!!

“The common thread to the artists we love is that they all found a way to be original and approach their music more as an art form than a formula. That is our tactic.” states David. Cela adds, “The music and musicians we admire had a vision and expressed a way of life…a certain freedom on a higher level.”

Visually, Automatik Eden has a lot to offer. Both Cela and Dave have put a lot of thought and effort into both their personal and stage appearance. “We felt we didn’t want to come off as just another jeans and t-shirt band,” says Cela. “And besides that, it’s fun!”

When it comes to their live show, the duo generate a huge sound. It’s the perfect combination of organic and electronic. “I am sure we will, at some point, perform with a full band but right now, it’s great to experiment!” says Dave. “We’re learning a lot and it’s exciting…and the audience seems to pick up on it!”

In helping to sum up Automatik Eden’s philosophy and sound, Dave affirms, “In all of our media, from music and beyond, we focus on the human condition in this insane age of information.” Cela adds, “We enjoy exploring, both in our music and in our lives, the on-going interaction that exists between the mind and the heart.”

The two strive to keep an open dialogue with their audience. They make a sincere effort not only to provoke and test, but to inspire. With their strong musical foundation and great perspective, success for Automatik Eden is just around the corner. (www.automatikeden.com)

Dan Del Campos
Media / Consultant
Pop Culture Image
2554 Lincoln Blvd. #731
Venice, CA 90291
310.314.2790
daniel@popcultureimage.com
www.popcultureimage.com

Disney Chooses KC Jockey’s Single “Toast To The Dads” For Latest Game “Tap Tap Revenge Tour”

Sunday, July 22nd, 2012

Pop/R&B artist KC Jockey seems to be on quite a streak of success, in many areas of the entertainment industry including modeling, film, and music, or perhaps it’s just good karma returning. Either way, the Jamaican born singer/songwriter’s single, “Toast To The Dads” has been chosen by Disney for inclusion on it new iPhone app, Tap Tap Revenge: Tour. The app is the most recent in the game’s series, and will be released on Wednesday, July 18th. The original version, Tap Tap Revolution was released in September 2007. The series has continued to be one of the most popular games available to iPhone users.

KC Jockey’s other recent accomplishments include his song, “A Better Jamaica” being considered as the theme song for Jamaica’s Post Independent 50th Anniversary Celebration. Delivering another solid record reflecting a topic near and dear to his heart – domestic violence – KC Jockey’s single “Girl You’re Free,” ranked in the top 40 of Top 40 Charts.com’s R&B charts on May 22, 2012. The song also took the top spot on WXAC 91.3’s Urban - Reggae Charts for the week ending September 25, 2011 and has been quite popular with domestic violence advocacy groups.

Commenting on “Toast To The Dads,” Paul Anderson of The Entertainment Bank said, “Much respect goes out to KC Jockey for his very hip and happening tribute to all of the great fathers and dads of the world. There are many men who are providing for and nurturing their children, yet all we seem to hear about are those who aren’t so great. With “Toast To The Dads,” KC Jockey sings a passionate tribute to his own father and all others who are striving to do the right thing. It’s a strong single with positive, heartfelt lyrics that will touch any real dad’s heart, and make those who are failing for whatever reason rethink their positions and remember the honor that comes with this responsibility. This is such a great message, and like all of KC Jockey’s songs, it’s set to an up tempo pop/R&B beat infused with reggae that is great for dancing or just listening to. The music is excellent, and as always, I’m impressed by KC Jockey’s commitment to all things positive. He doesn’t just talk the talk; he walks the walk as well.”

KC Jockey attributes the success of his music to his unique style of combining pop, R&B, and reggae with a topic that will have meaning and relevance for a lifetime. “The music I make is timeless and significant. It’s deep, and when you have a good sound and a good message, people are drawn to it.” KC Jockey owns his own record label, Sweet Sadie’s Records.

“Toast To The Dads” is available for purchase at iTunes or Amazon.com

Links:
KC Jockey’s Official Website
Myspace
Facebook
Twitter
YouTube
Email: sweetsadiesrecords@gmail.com

Contact:
Michele Wilson-Morris
The Entertainment Bank
(718) 619-8554

Email Michele

Introducing Prelude: The First Affordable App For Musicians

Saturday, July 21st, 2012

Successful acts know how to connect with their fan base. In this day and age, that means more than just a web page, e-mail blitzes and a social media presence. It means providing a connection with fans wherever they are–any time, anywhere.

It means having an app.

But custom apps are expensive and time-consuming. Enter the revolutionary new Prelude for iPad. Prelude is inexpensive and lightweight. Best of all, Prelude will get you in the App store and on an iPad in one month or less.

With Prelude for iPad, artists can bring together news, social media feeds and tour info for fans on the go. Taking advantage of the iPad’s revolutionary high-resolution Retina screen, uploaded photographs and video look simply stunning. Most important, music released in-app can be priced by the artist. Once purchased, the app remains with the fan who purchases it, and the artist keeps the profit.

Custom apps are priced way beyond the reach of mere mortals. That’s why Prelude has been designed as a framework, which means costs are kept down by providing everything an artist needs without end-to-end customizability. With that said, artists will get an app experience that is as unique as their act. For a modest deposit and a low monthly fee, acts can load Prelude with albums, photos, videos, set lists, logo, colors, social media feeds and tour dates–everything needed to keep fans informed and connected.

Prelude for iPad will be available by the end of July, with further versions for different platforms and devices to appear in due course. Artists and labels interested in getting on board are encouraged to contact Bruce Pegg at bruce@getprelude.com for more information.

Yoga Midi Festival 2012 Will Be Held In August In Huaxi, Guiyang

Saturday, July 21st, 2012

Midi Music Festival announced their first foray into southwest China with the Yoga Midi Festival 2012 being held from August 23rd to 26th in Huaxi Park, Gui Yang province. “Yoga” is a slang used by local residents to express comfort and refreshment, and Yoga Midi Festival will bring you the very same feeling through music!

As one of the most major parts of the 2012 Huaxi Summer Arts Festival, Yoga Midi Festival will be a platform for musicians from all around the world on three stages: “Tang,” “Huaxi” and “Yuan.” The lineup includes not only three generations of Chinese rock musicians, but also famous foreign bands, with a diverse mix of music genres, including punk, metal, rock, indie, folk, electronic and many other! Even some traditional Chinese music bands and local Guizhou bands will perform at the festival.

As the forerunner of outdoor music festival in China, Midi is always actively exploring Chinese music market and attempting to bring in new music elements. Midi is looking for the perfect combination of music and local culture, and Yoga Midi Festival is a result of this effort.

http://china.musicdish.com
Email: chinasounds@musicdish.com

Miss Diamond DJane Selected As First ‘iWantJam Endorsed Artist’

Saturday, July 21st, 2012

Live music streaming portal iWantJam announced Zurich-based Miss Diamond DJane as the first of three ‘iWantJam Endorsed Artists’ to coincide with the site’s beta launch in August 2012. Miss Diamond is an international superstar in the making, already becoming an in-demand VIP female DJ for VIP guests and with mixes played regularly on radio stations worldwide.

A Cairo-based musician himself, iWantJam founder Moataz El-Gohary commented on what he thinks are the most important qualities to becoming an endorsed musician. “Artists and bands will be selected based on a set of criteria reflecting IWantJam’s mission: (i) live music, (ii) touring and (iii) connecting with fans worldwide through social media. Our Endorsed Artists are like iWantJam ambassadors, we want to make sure they reflect our goals and spirit to their fans.”

Once selected, the ‘iWantJam Endorsed Artist’ will receive several benefits for a one-month period, including being featured on IWantJam homepage, having their music played exclusively on IWantJam music player as well as getting exposure through IWantJam social network profiles and connections. In addition, each endorsed musicians will have an opportunity to extend their endorsement benefits for a full three month period.

Making use of the connections IWantJam is building will be one of the most crucial advantages to the site, Moataz explains. IWantJam will not only host musicians and their fans, but also music professionals and recording studios and live venues that musicians’ can tap to help build their career. “This network aspect of the site is something we are very keen on. It’s not just a music site for musicians and fans/music enthusiasts, but a platform to reach and be reached by the music industry pros that might have discovered them through a live streamed.”

iWantJam will be launched in August, with exact launch date to be announced very soon. In the meantime, musicians and bands can sign-up for the iWantJam Endorsed Artist opportunity at http://www.iwantjam.com

Miss Diamond is an international superstar in the making; she’s already become an in-demand VIP female DJ for VIP guests and her mixes are played regularly on radio stations around the world. There is no other DJ, female or male, quite like her in the world. Distinctly original, Miss Diamond’s strong female sensuality connects with party-goers on a personal level, and explains why they crowd the DJ booth at the end of the night looking for a mix CD, an autograph, or just a moment to be near Miss Diamond.

http://www.facebook.com/Miss.Diamond.DJ

iWantJam is a brand new type of music site that aims to connect musicians and fans worldwide through live shows, video streaming and social media. Nothing can replace the feeling of a live show, and iWantJam’s powerful & easy-to-use platform will bring your favorite band right into your bedroom for free. Artists will be able to connect with their fans on a much deeper level than just a profile page and music button, thus offering far more than a promotional device, but a unique experiential connection. Come and join the online live music experience of iWantJam!
https://www.facebook.com/iWantJam

Email: info@iwantjam.com

Bizarre Or What? Gay Rapper Threatens To Sue Fans If They Refuse To Download Upcoming Mixtape

Friday, July 20th, 2012

In an extremely bizarre audio clip preview of his upcoming mixtape, “Zero Percent P—y”, controversial East Coast gay rapper Cocky da Homo MC, no stranger to hip hop headlines, took up almost 10 minutes of the mp3 in a manic diatribe, ranting almost hysterically against his haters, a former manager from Florida who “works for PETA yet eats hamburgers,” and also his fans, going as far as to threaten to actually sue them if they do not download the upcoming street album. The preview, released earlier today at Retwedia.com, shot up almost immediately to the top most streamed music clips of the day.

Perhaps even more shocking in the preview is the inclusion of a song that may just be the very first “pro-snitching” hip hop anthem ever with lyrics such as, “I ain’t afraid to snitch, Cocky will (m’f'ing) tell,” and “I will call the police, stoop that low dog I will.”

The rapper has released the following statement: “I sincerely apologize for the rant, it was ridiculous and everything I said has no basis in reality or fact. Don’t sue me.”

“Zero Percent P—-y” is slated to be released in two weeks, with appearances from Skyy Blue and Josef Eugene.

MusicDishTV Partners With Singapore-based LIVEO

Thursday, July 19th, 2012

MusicDishTV has partnered with LIVEO, a valuable platform for aspiring artists to get themselves exposed Worldwide. MusicDishTV will source Western music videos, including live shows, interviews and behind-the-scenes, for distribution through LIVEO’s broadcast platforms.

“We’re excited to work with LIVEO on giving indie artists a new channel to get worldwide exposure, said MusicDish President Eric de Fontenay. “The fact that they are based in Singapore opens a whole new Asian audience that might not otherwise catch some great music because of the ‘noise’ on sites like YouTube.”

Videos selected by MusicDishTV will not only air on LIVEO L I V E! (24/7 streaming video station), as well as being featured on the LIVEO RADIO and LIVEO ROCKS! platforms. Bands distributed will also be eligible for LIVEO ROCKS! GLOBAL, an annual online competition and event that will discover unknown talent in ASIA and Globally.

“Our goal is to help and assist unknown Artists/Bands/DJs to gain more exposure globally via our live broadcast platforms using our own technologies. These talents need help in every way to get their music out there, and we are here to assist. They get rejected by Radio & TV Stations everywhere, but we open our doors and encourage them,” said LIVEO Founder doctormix.

LIVEO brings to its viewers an audio & video collage; an array of music and trends, performances, interviews and behind the scenes, designed to captivate and entertain viewers across a variety of cultures.

MusicDishTV has featured over 300 music videos through its channel on over 20 western music video portals from YouTube to Current and DailyMotion, which we promote our videos through social medis, news aggregators, micro-blogs & online forums. Through our MusicDish*China brand, we now distribute music videos to China’s leading video portals, including Youku, Tudou, Sina, Ku6 and 6.cn.

Links:
http://tv.musicdish.com
http://www.LiveoRocks.com
http://www.LiveoMusic.com

Contact: tv@musicdish.net


Featured Listings